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The Complete Columbia Studio Recordings - Miles Davis/Gil Evans
11 LPS : Columbia CXK67397    ADA (p) 1996
Reissue producer : Phil Schaap (1957-60 sessions)
Reissue producer: Bob Belden (1962-68 sessions)
Executive producer: Michael Cuscuna

record 1 - side a

1 Springsville (J.Carisi) [master] 3'27 CDE
2 The Maids of Cadiz (L.Delibes-arr.G.Evans) [master] 3'53 AD
3 The Duke (D.Brubeck) [master] 3'35 A
4 My Ship (I.Gershwin-K.Weill) [master] 4'28 BD
5 Miles Ahead (M.Davis-G.Evans) [master] 3:29 BE

record 1 - side b

1 Blues for Pablo (G.Evans) [master] 5'18 C
2 New Rhumba (A.Jamal) [master] 4'37 CE
3 The Meaning of the Blues (R.Troup-L.Worth) [master] 2'48 D
4 Lament (J.J.Johnson) [master] 2'14 D
5 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [master] 3'06 DE

record 2 - side a

1 Springsville (J.Carisi) [remake take 7] 3'14 D
2 The Maids of Cadiz (L.Delibes-arr.G.Evans) [take 1] 3'54 A
3 The Duke (D.Brubeck) [take 11] 3'30 A
4 My Ship (I.Gershwin-K.Weill) [take 1] 4'22 B
5 Miles Ahead (M.Davis) [take 4] 3:28 B

record 2 - side b

1 Blues for Pablo (G.Evans) [take 1] 5'25 C
2 New Rhumba (A.Jamal) [take 5] 4'41 C
3 The Meaning of the Blues (R.Troup - L.Worth) [rehearsal take] 2'48 D
4 Lament (J.J.Johnson) [rehearsal take] 2'14 D
5 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [take 8] 3'12 D

record 3 - side a

1 The Buzzard Song (G.Gershwin-I.Gershwin-D.Heyward) [master] 4'07 H
2 Bess, You Is My Woman Now (G.Gershwin-I.Gershwin-D.Heyward) [master] 5'10 G
3 Gone (G.Gershwin-I.Gershwin-D.Heyward) [master] 3'37 F
4 Gone, Gone, Gone (G.Gershwin-I.Gershwin-D.Heyward)   [master] 2'03 F
5 Summertime (G.Gershwin-I.Gershwin-D.Heyward) [master] 3'17 H

record 3 - side b

1 Oh Bess, Oh Where Is My Bess (G.Gershwin-I.Gershwin-D.Heyward) [master] 4'25 H
2 Prayer (Oh Doctor Jesus) (G.Gershwin-I.Gershwin-D.Heyward) [master] 4'39 H
3 Fishermen, Strawberry and Devil Crab (G.Gershwin-I.Gershwin-D.Heyward) [master] 4'06 G
4 My Man's Gone Now (G.Gershwin-I.Gershwin-D. Heyward) [master] 6'14 F

record 4 - side a

1 It Ain't Necessarily So (G.Gershwin-I.Gershwin-D.Heyward) [master] 4'23 G
2 Here Come De Honey Man (G.Gershwin-I.Gershwin-D.Heyward) [master] 1'18 G
3 I Loves You, Porgy (G.Gershwin-I.Gershwin-D.Heyward) [master] 3'39 H
4 There's a Boat That's Leaving Soon for New York (G.Gershwin-I.Gershwin-D.Heyward) [master] 3'23 I
5 Gone (G.Gershwin-I.Gershwin-D.Heyward) [take 3] 3'37 F
6 Summertime (G.Gershwin-I.Gershwin-D.Heyward) [take 2] 3'16 H

record 4 - side b

1 Prayer (Oh Doctor Jesus) (G.Gershwin-I.Gershwin-D.Heyward) [take 2] 4'14 H
2 I Loves You, Porgy (G.Gershwin-I.Gershwin-D.Heyward) [take 1, second version] 4'14 I
3 There's a Boat That's Leaving Soon for New York (G.Gershwin-I.Gershwin-D.Heyward) [take 2] 3'39 H
4 Oh Bess, Oh Where Is My Bess (G.Gershwin-I.Gershwin-D.Heyward) [take 5] 4'21 H
5 Gone (G.Gershwin-I.Gershwin-D.Heyward) [take 4] 3'40 F

record 5 - side a

1 Concierto de Aranjuez (adagio) (J.Rodrigo) [master] 16'19 L
2 Will O' The Wisp (M.De Falla) [master] 3'47 M

record 5 - side b

1 The Pan Piper (G.Evans) [master] 3'52 M
2 Saeta (G.Evans) [master] 5'06 M
3 Solea (G.Evans) [master] 12'15 M
4 Song of Our Country (G.Evans) [issued take] 3'23 M

record 6 - side a

1 Saeta (G.Evans) [full version of master] 6'01 M
2 The Pan Piper (G.Evans) [take 1] 3'11 M
3 Concierto de Aranjuez (adagio) (J.Rodrigo) [part one, alternate take] 12'04 K
4 Concierto de Aranjuez (adagio) (J.Rodrigo) [part two, alternate take] 3'32 L
5 Song of Our Country (G. Evans) [take 14] 3'10 M

record 6 - side b

1 Song #2 (G.Evans-M.Davis) 1'36 P
2 Once Upon a Summertime (J.Mercer-M.Legrand-E.Marnay-E.Barclay) 3'25 P
3 Aos Pez Da Cruz (M.Pinto-P.Goncalves) 4'15 N
4 Song #1 (G.Evans-M.Davis) 4'33 O
5 Wait Till You See Her (R.Rodgers-L.Hart) 4'03 O
6 Corcovado (A.C.Jobim) 2'42 N

record 7 - side a

1 Blue Xmas (B.Dorough) 2'40 Q
2 Nothing Like You (B.Dorough-F.Landesman) 1'58 Q
3 Devil May Care (B.Dorough-T.P.Kirk) 3'27 R
4 The Time of the Barracudas (G.Evans-M.Davis) 12'45 S

record 7 - side b

1 Falling Water (G.Evans) [take 3] 3'43 T
2 Falling Water (G.Evans) [take 6] 4'22 T
3 Falling Water (G.Evans) [take 8] 4'15 T
4 Falling Water (G.Evans) [take 9] 4'18 T

record 8 - side a

1 Springsville (J.Carisi) [take 5] 3'32 C
2 The Maids of Cadiz (L.Delibes-arr.G.Evans) [take 11] 4'06 A
3 The Maids of Cadiz (L.Delibes-arr.G.Evans) [take 11, insert 1] 2'36 A
4 Lament (J.J.Johnson) [medley : take 2] 2'35 D
5 The Duke (D.Brubeck) [take 1] 3'27 A
6 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [53225 issued version] 3'07 DE

record 8 - side b

1 Springsville (J.Carisi) [rehearsal sequence] 6'58 C
2 Springsville (J.Carisi) [rehearsal with piano] 2'30 C
3 The Maids of Cadiz (L.Delibes-arr.G.Evans) [take 9] 0'32 A
4 The Maids of Cadiz (L.Delibes-arr.G.Evans) [take 10] 4'11 A
5 The Maids of Cadiz (L.Delibes-arr.G.Evans) [rehearsal sequence] 1'26 A
6 Count Off for The Duke [take 3] 0'35 A
7 The Duke (D.Brubeck) [take 8] 3'31 A
8 The Duke (D.Brubeck) [piano take 3] 1'52 D

record 9 - side a

1 My Ship (I.Gershwin-K.Weill) [take 6] 4'36 B
2 Miles Ahead (M.Davis-G.Evans) [reharsal sequence] 1'47 B
3 Miles Ahead (M.Davis-G.Evans) [take 12] 3'30 B
4 Miles Ahead (M.Davis-G.Evans) [take 15] 3'31 B
5 studio discussion 0'31 B
6 My Ship (I.Gershwin-K.Weill) [take 7] 4'39 B
7 Miles Ahead (M.Davis) [piano take] 3'06 D

record 9 - side b

1 Blues for Pablo (G.Evans) [rehearsal sequence] 5'53 C
2 New Rhumba (A.Jamal) [take 2] 4'38 C
3 Lament (J.J.Johnson) [take 1] 2'21 D
4 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [rehearsal] 2'10 U
5 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [take 5] 2'57 D
6 studio discussion 0'30 D
7 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [take 4 transitions] 2'58 D

record 10 - side a

1 studio discussion 0'19 C
2 Springsville (J.Carisi) [take 8 without overdubs] 3'35 C
3 studio discussion 0'07 B
4 Miles Ahead (M.Davis-G.Evans) [take 11 without overdubs] 3'33 B
5 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [take 3 without overdubs] 2'59 I
6 Springsville (J.Carisi) [overdub take 1] 2'08 E
7 Springsville (J.Carisi) [overdub solo 4-5] 2'20 E
8 Springsville (J.Carisi) [overdub solo 6-9] 2'32 E
9 Springsville (J.Carisi) [issued overdub solo] 0'27 E

record 10 - side b

1 Miles Ahead (M.Davis-G.Evans) [issued overdub solo] 1'54 E
2 Miles Ahead (M.Davis-G.Evans) [overdub solo] 1'35 E
3 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [overdub solo 1] 1'04 E
4 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [overdub solo 2] 1'26 E
5 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [overdub solo 4] 2'04 E
6 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [overdub solo 8] 3'05 E
7 I Don't Want to Be Kissed (by Anyone But You) (H.Spina-J.Elliott) [overdub solo 19 & 19C] 2'57 E
8 Miles Ahead (M.Davis-G.Evans) [mono master] 3'29 BE

record 11 - side a

1 Gone (G.Gershwin-I.Gershwin-D.Heyward) [rehearsal sequence] 2'54 F
2 Gone, Gone, Gone (G.Gershwin-I.Gershwin-D.Heyward) [rehearsal sequence] 2'57 F
3 studio discussion 0'53 F
4 Bess, You Is My Woman Now (G.Gershwin-I.Gershwin-D.Heyward) [rehearsal take] 4'58 G
5 It Ain't Necessarily So (G.Gershwin-I.Gershwin-D.Heyward) [take 1] 3'22 G
6 Oh Bess, Oh Where Is My Bess (G.Gershwin-I.Gershwin-D.Heyward) [take 3] 3'53 H
7 I Loves You, Porgy (G.Gershwin-I.Gershwin-D.Heyward) [rehearsal sequence] 2'19 I

record 11 - side b

1 There's a Boat That's Leaving Soon for New York (G.Gershwin-I.Gershwin-D.Heyward) [remake] 2'24 I
2 My Man's Gone Now (G.Gershwin-I.Gershwin-D. Heyward) [remake take] 6'13 I
3 Song of Our Country (G. Evans) [take 9] 2'59 M
4 Concierto de Aranjuez (adagio) (J.Rodrigo) [rehearsal] 7'21 J
5 Concierto de Aranjuez (adagio) (J.Rodrigo) [alternate ending] 1'23 L

(A) (B) (C) (D) Produced by George Avakian assisted by Cal Lampley
Recording engineer : Harold Chapman 30th Street Studio, NYC

(E) Produced by Cal Lempley
Recording Engineer : Fred Plaut 30th Street Studio, NYC

(F) (G) (H) (I) Produced by Cal Lempley
Recording Engineer : Frank Laico 30th Street Studio, NYC

(J) Produced by Teo Macero & John Hammond
Recording Engineer : Fred Plaut 30th Street Studio, NYC

(K) (L) Produced by Teo Macero & Irving Townsend
Recording Engineer : Fred Plaut 30th Street Studio, NYC

(M) (N) (O) (P) Produced by Teo Macero
Recording Engineer : Fred Plaut 30th Street Studio, NYC

(Q) (R) Produced by Teo Macero
Recording Engineer : Fred Plaut Columbia Studio A, NYC

(S) Produced by Irving Townsend
Columbia Studios, Hollywood

(T) Produced by Teo Macero
Recording Engineer : Fred Plaut Columbia Studio B, NYC